Surely we don't need another P-Bass from Fender? Well, surprisingly it seems that we do!

The new '70s P-Bass is a welcome addition to an already wide range.
When Leo Fender launched the Precision Bass onto an unsuspecting bass-playing populace in 1951 it was met with a degree of distaste and suspicion.
However, it took little more than a quick go on one to win all but the die-hard traditionalists over. Something so much more compact than an upright bass, with the ability to be amplified, was just too good to ignore.
It was almost perfectly designed from the start, but by 1957 with a few modifications to the body, headstock and pickup, the Precision as we know it today was complete. The story does not stop there, however, as over the years Fender has continued to offer the beloved P-Bass in a variety of styles and prices.
In both the three-tone sunburst and Olympic white finishes this is a very attractive prospect indeed.
So surely, then, there's already something to suit everyone? Well apparently not, for here comes the new Japanese-built '70s P-Bass, and it's actually a welcome addition to this already wide range.
In both the three-tone sunburst and Olympic white finishes this is a very attractive prospect indeed. The black block inlays and binding on the maple neck, used originally on the Jazz Bass, are incredibly eye-catching. Add to that the three-ply black scratchplate and the welcome return of the thumb rest (positioned above the strings), and that 1970s vibe is captured brilliantly.
Other features of this model are the F-stamped neck plate, a vintage-style truss rod system, knurled chrome knobs and the appropriate 1970s-style Fender logo on the headstock. There's also a pleasing tint to the maple neck, which gives it a slightly aged look, while the shallow profile and wide 'board make this bass a real joy to play.

Sounds
With all the usual passive electronics in place, this naturally sounds like a good Precision, which means that the reason for choosing this particular version is all about
looks and feel.
The sound, of course, remains fat and solid no matter what position you set the tone control. There's enough top available to make your speakers spit out the notes, but it's the warmth and depth of the bottom end that gives the foundation for consistently great sounds.
Most players work with the tone control slightly off centre, using a treble bias for the funky or hard rock stuff and a bass bias for the traditional old-school sounds, but with well-defined notes.
This period of Fender basses has been all but forgotten – it was a time of old jigs producing poorly fitting parts. But some good designs also emanated from this period that are worth remembering.
Manufacturing problems are now a thing of the past and this model offers a striking combination of 1970s elements and is a welcome and justified addition to the vast current P-Bass catalogue.
Surprisingly, there are only three current P-Bass models that are manufactured in Japan -¬ the other two being from the Steve Harris Signature model and the Sting. In short, if you like the look, the sound and playability won't disappoint.

Verdict
Undeniably attractive, the appeal of this over any of the other Precision models lies in its looks and excellent feel.

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Fender '70s Precision Bass, Olympic White, Maple Fretboard List Price: $1,099.99 Sale Price: $849.99 You save: $250.00 (23%)   Eligible for free shipping! Availability: Usually ships in 1-2 business days 1 new from $849.99

Description

Fender’s new Classic series ’70s Precision Bass authentically evokes the era when our first bass rocked with more versatile use than ever, from prog to punk and metal to funk. Vintage touches include bass-side thumb rest (first adopted in 1974), ’70s-style large headstock logo and bound neck with block inlays.

Features

• A vintage-style split-single-coil P Bass® pickup provides great foundational tones.
• A bound neck, large headstock, block inlays, thumbrest, and '70's style logo recall all the visual hallmarks of the decade.
• A '70's style bridge, tuning machines, and Fender stamped, open-gear tuners offers rock-solid performance.

Reviews

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With so much attention focused on which guitars give you which sound, which guitars look the nicest, and which play the best, the lowly guitar amplifier is often ignored, especially by novice guitarists. Which is a big mistake for guitarists looking to find a great sound. The fact of the matter is; a sub-par guitar played through a great amp can still sound fairly decent, but even the best guitars, when played through a bad amplifier, sound awful.

If you're considering buying your first amplifier, price will obviously be one of your primary concerns. Guitar amplifiers range in price from under $100, to multiple thousands of dollars. A common choice for first amplifiers are the very small and basic 15-watt amps such as the Fender Frontman 15G, which provide a low cost solution to amplifying the guitar. When asked by students and parents, I strongly discourage the purchase of amplifiers like these, for several reasons. First of all, the sound of these amps tends to be tolerable at best, and often sound much, much, worse. Newer guitarists will often become frustrated, complaining that "nothing I ever play sounds good", not fully realizing that it is the equipment, and not what they are playing, that is causing the music to sound inferior. These small amps also don't provide a great deal of volume, which can present a problem. In the beginning, the musical growth of guitar players is quite staggering, and it won't be long before many newer guitarists are ready to start playing with other musicians. Many of these small amplifiers have a hard time being heard above the volume of a drummer, which renders them useless in those situations.

This isn't meant to imply that you need to spend $1000 on your first guitar amplifier. But, by setting your sites above the cheapest, smallest amplifier in the store, you'll certainly end up with an amp that will serve your needs for a much longer period of time. The Fender Pro Junior is a great, low-cost tube amplifier that you'll sometimes even see being used by professional guitarists. What the Pro Junior lacks in control (no EQ, no reverb), it more than makes up for in tone and sound quality.

There are a few things I'll generally look for in modestly priced amplifiers; at least a 3-band EQ ( low, mid, and high), a clean channel and an "overdrive" channel, reverb, and possibly some sort of "presence" control. Another thing to be aware of is the existence of two types of amplifiers; tube and transistor. The BuddyHawke.com site has provided a relatively simple explanation of the difference between the two. I personally almost universally prefer tube amps, but this is something you'll have to listen to, and decide for yourself. Tube amps are almost always more problematic, and tend to be more expensive.

When shopping for amps, be sure to try many out before you buy one. Play the same guitar through each amp when experimenting in the store. Make sure you spend a good deal of time with each amp; playing them at loud and quiet volumes, with and without overdrive, experimenting with the versatility of sound each amp provides. Do not be afraid to bring your guitar into the store and try it out with the amps you are considering. Try researching specific amps you are interested in on the net, using the Harmony Central Amp Database,. One last thing to be aware of; despite what they may lead you to believe, you can, and should negotiate with music store employees in regards to the price of their merchandise. I have found that with a bit of prompting, I can get at least a 10% discount on guitars and amps not on sale, and often even more.

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