These new models combine Martin's legendary tone and styling, while adding player comfort and on-stage performance capability. The DCPA1, OMCPA1 and the modern Grand Performance GPCPA1 all share the same aesthetic blend of contemporary and traditional features. Additionally, all Performing Artist Series guitars are equipped with Fishman's newly designed onboard sound reinforcement system, the F1 Aura®.

"A good percentage of the market wants to plug in their acoustic guitars, either for performance, studio or home recording," said Chris Martin IV, Chairman and CEO Martin Guitar. "As musical trends evolve, we will remain committed to providing the finest acoustic guitars available in both acoustic and acoustic/electric configuration."

Each model in the Performing Artist Series offers its own distinctive acoustic and plugged-in sound for the discerning player. The DCPA1 offers the powerful and resonant Martin Dreadnought tone. The OMCPA1 is well balanced, offering warm bass response with crisp clear trebles. The new GPCPA1 shares characteristics from the big rich sound of the Dreadnought and the clarity of the Orchestra model and combines them into a new sonic signature all of its own. All three guitars share the same well-known Martin construction including solid East Indian rosewood back and sides, a solid Sitka spruce soundboard with hybrid scalloped bracing, a genuine ebony headplate, fingerboard and bridge, and a patented mortise and tenon neck joint.

The Performing Artist Series features many firsts for the company, including a more parallel neck profile with a slimmer taper at the 12th fret, giving the guitar comfortable width in the first few frets plus a faster feel for lead-work as you move up the neck. The new smaller bridge design reduces mass and increases the soundboard's tonal response.

Striking new aesthetic features include a pearl Martin block-style logo inlaid into the ebony headplate. New fingerboard inlays use traditional squares in colorful blue paua, flanked by arrow designs adding to the guitar's sleek modern style. A newly-designed two ring rosette borders the soundhole with a stunning combination of blue paua and wood fiber inlays. Finely polished gloss lacquer highlights the body's beauty, while a durable satin finish on the guitar's neck adds to the quicker feel and player's comfort.

The new Fishman® F1 Aura® features the stunning realism of award-winning Aura Acoustic Imaging technology in a distinctive and easy to use onboard preamp system. State-of-the-art features include: digital chromatic tuner, volume and blend controls, independent 3-band EQ for both pickup and image signals, compressor, phase control and an automatic anti-feedback filter with up to 3 notches. The heart of the F1 Aura is its ability to replicate the sound of nine different world-class studio microphones. Fishman engineers have carefully captured images of the sound that these high-quality microphones "hear" and allow you to blend it in with the legendary Gold+Plus under saddle pickup. The preamp design utilizes low-noise components, 32-bit internal processing and 24-bit audio conversion for an incredibly clean and quiet output.

A Limited Lifetime Warranty covers all "Performing Artist Series" models purchased from authorized Martin dealers in the U.S. and Canada. To protect your investment, each guitar includes a brown hardshell case.

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Martin HD28 Acoustic Guitar Used Less than 1 Hour

1 Bid

US $1,829.00

1h 6m

MARTIN OMC28E FISHMAN AURA MOST COMMANDING SOUND AURA

US $1,980.00

1h 31m

Vintage 1973 Martin D 28 Roesewood Back Acoustic Guitar

19 Bids

US $1,875.00

1h 38m

Guild D4 Nt electric acoustic guitar LOW RESERVE

US $799.00

2h 4m

Martin Co DX1K Acoustic with solid spuce top

US $599.00

4h 5m

Martin DM Acoustic Guitar w Case EXCELLENT D 28 LOOK

22 Bids

US $315.00

4h 19m

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The Gibson Acoustic Keb Mo Blues Master model honors the three-time Grammy Award winner. The guitar is a flat-top acoustic made in the tradition of the great small bodied Gibson blues boxes with the added versatility of a built-in L.R. Baggs Element pick up with sound hole mounted volume control. The Keb Mo Signature model is available in a limited edition of only 300. Gibson's "L" series acoustic guitars were there at the very birth of blues played by the great blues originator Robert Johnson, among others. This inspiration follows through with the Keb Mo Blues Master. The model packs all of the tonal nuance and sweetness you could hope for in a high-end, hand-crafted acoustic guitar while vintage specs include the 12th fret neck/body joint that positions the bridge right in the body's "sweet spot" for optimum resonance. The new model is reminiscent of the best of acoustic guitars from the 20s and early 30's. Finishes include Antique Natural or Vintage Sunburst with double antiquing. The guitar has a cream top, back and fingerboard binding, herringbone trim, mother of pearl inlays and double-ring soundhole rosettes. It comes with a Gibson hardshell case, a personally signed interior label by the artist Keb Mo himself, an owner's manual and Gibson Acoustic's Gold Warranty. MSRP is $3,868 USD.

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BLUE ACOUSTIC GUITAR W CASE STRAP TUNER PICK STRINGS

0 Bid

US $.01

17m

RED ACOUSTIC GUITAR W CASE STRAP TUNER PICK STRINGS

0 Bid

US $.01

30m

Epiphone Hummingbird by Gibson Brand New NR 3DAYS $1

18 Bids

US $200.00

1h 6m

Boulder Creek ECS2 V Acoustic Electric Guitar Mint

US $400.00

1h 13m

Epiphone Dove by Gibson BRAND NEW NR 3DAYS $100

13 Bids

US $255.00

1h 16m

BLACK ACOUSTIC GUITAR W CASE STRAP TUNER PICK STRINGS

0 Bid

US $.01

1h 20m

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Renowned local singer/songwriter Jim Camacho, who recently earned the New Times’ "Best Songwriter" and "Best Acoustic Performer” Awards, interpreted Orbison’s greatest hits for an intimate gathering of fans, VIP’s and key players in the industry — such as EMI Music Publishing’s Director Andres Sandoval — all wearing Orbison-signature sunglasses.

Astonishing local model Denysse Carrillo wore superb latest creation by Carolina Boulton to emulate Orbison’s legendary Pretty Woman. EMI Music Publishing Latin America provided exclusive Roy Orbison content including “Oh Pretty Woman”, “Crying” and “Blue Bayou.

Local instrument experts say you should consider these things whether you're buying a guitar.

Whether your son or daughter is trying to shred like Metallica or play Bob Dylan covers, here's what to look for:

In general
For beginners, many guitars come in packages that include everything you need to start learning to play.
Electric guitar packages come with the guitar, an amplifier, a strap, extra strings, picks, a carrying bag and an instructional DVD or book or both.
Acoustic guitar packages come with the guitar, bag, strap, strings, picks and instructional material. Some stores also offer another acoustic package that comes with an amplifier for an additional $30.
Packages come from a multitude of manufacturers and cost at least $200 for an electric guitar and $149 and up for an acoustic.
Individual instruments can be had for less than the price of the packages. An acoustic guitar will cost at least $100. An electric guitar will cost around $110 and up.

Acoustic or electric?
What's better for a beginner: an acoustic guitar or an electric guitar?
It's one of the most commonly asked questions at guitar stores, but the answer isn't clear cut.
One isn't necessarily better to play or easier to learn than the other. It's a stylistic choice.
If the person playing the instrument wants to learn country, folk, worship or other music, an acoustic guitar is generally the better choice. For rock 'n' roll, an electric is generally better, said Dan Sullivan, pro shop manager at Dietze Music.
And for those parents worrying that the noise from an electric guitar will shake the walls, be not afraid. The amps in the starter packages mentioned above are usually only a meager 10 watts.
“They're not that loud. And they all come with headphone jacks,” Sullivan said.

Guitar stand
Those nifty packages come with everything. Everything but somewhere to put your guitar when you're not using it. You can pick up a simple guitar stand anywhere for under $20.

Size
Sometimes kids need small-sized guitars because they're not big enough to comfortably play a full-size guitar.
Children can benefit from playing a smaller guitar, but it depends on the child's height. Someone at a store can help you pick the right size, said Hoyle of Russo's.
At age 11 or 12, it might be a good idea to buy a full-size guitar even if the child isn't quite big enough to play it yet since they'll quickly outgrow a small-size guitar.

Strings and picks
Guitar strings come in all kinds of styles and from many manufacturers.
For a beginner, it's best to use a light to medium gauge string. The lighter strings are easier for a beginner to press down and play notes.
As for picks, they come in countless shapes, sizes and thicknesses. Again, it's better for a beginner to use a thinner, lighter gauge pick. They're easier to use and require less finesse than a thicker pick, Hoyle said.

Amplifiers and pedals
The Foo Fighters might have them, but a beginner doesn't need an enormous amplifier.
If you're not buying as part of a package, a 10- or 15-watt amp is perfect for a beginner. Many by Marshall and Fender have both clean and distorted channels in order to play a variety of different styles.
For a higher price, some amps have multiple effects that can make a guitar sound like practically any guitarist you admire.
“You want to be Eddie Van Halen on the spot? Just push a button,” Hoyle said.

Lessons
It used to be that you had two options: Take lessons or fumble around and try to teach yourself.
“I'm self-taught,” Hoyle said. “When I started, I watched people play or listened to the album and pulled the needle back and listened again to figure out a part.”

A few more options exist today on the Web. Many sites are dedicated to teaching guitar with videos, sheet music and tablature that can help you learn a plethora of songs.

Still, the experts say getting one-on-one time with an instructor and being able to ask questions is important.
“There's a lot of cool stuff on the Internet. There's a treasure trove of information,” Sullivan said. “(But) lessons are the optimum way to do it.”

Teachers can give students direction and guidance and teach them a guitar philosophy that you can't get from a computer, Hoyle said.
Instructors at local stores teach on acoustic and electric guitars in a variety of styles and offer lessons to almost any age. Children can start as young as 6 years old.

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NEW HANDMADE BLUE Acoustic GuitarStandExtras

0 Bid

US $9.95

2m

NEW ACOUSTIC GUITAR W ACCESSORIES COMBO KIT BEGINNERS

US $34.99

3m

New 38 HOT PINK Acoustic Guitar Set Kit Pack Lessons

US $2.99

6m

HUNTINGTON 41 INCH HANDCRAFTED CUTAWAY ACOUSTIC GUITAR

US $69.95

6m

NEW HANDMADE COFFEE Acoustic GuitarStandExtras

0 Bid

US $9.95

8m

NEW HANDMADE NATURAL Acoustic GuitarStandExtras

0 Bid

US $9.95

14m

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Nickel Grover Rotomatic tuners are an engineering marvel, with abundant style and performance exactly suited for the J-45. With a gear ratio of 14:1, the Rotomatics deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage. A countersunk tension screw lets players regulate the tuning tension to any degree. A special lubricant inside the gear box provides smooth and accurate tuning stability.
The top of the J-45 is made from AA-grade Sitka spruce, while the back and sides are constructed from pattern grade Honduras mahogany, giving the J-45 its world renowned full, balanced expression, warm bass, and excellent projection. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson’s guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with the most durable, elastic, and sonorous qualities, and today’s guitars from Gibson Acoustic are no different.

The pickguard for the J-45 is Gibson’s standard plain tortoise tear drop shape, which has been used on the J-45 since its introduction in 1942. As with all of Gibson’s pickguards, the coloring and binding are all done by hand.

A rosette is the beautiful, hand-crafted circle around the sound hole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the J-45 is a simple single-ring rosette consisting of three-ply binding, adding a stylish, understated elegance to the J-45 Standard.

Rosewood Fingerboard with Rolled Edges and Dot Inlays The fingerboard of Gibson’s J-45 is constructed from the highest grade rosewood on earth, which is personally inspected and qualified by Gibson’s team of skilled experts before it enters the Gibson factories. The resilience of this durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The J-45s dot inlays are made of genuine mother of pearl, measuring approximately ¼-inch in diameter, and are inserted into the fingerboard using a process that eliminates gaps. The fingerboard also sports a rolled edge instead of the usual right angle where the fingerboard surface meets the neck; Gibson Acoustics’ rolled edges are slightly beveled for an extremely smooth and comfortable feel, enhancing the playability of the J-45.

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1970S GIBSON J45 ACOUSTIC GUITAR

US $1,399.00

1d 21h 22m

Gibson Advanced Jumbo J45

US $2,650.00

3d 2h 27m

Gibson J45 1966 Under the bed for decades orig case

0 Bid

US $2,600.00

8d 1h 20m

Gibson J45 1963 Amazing condition Original case too

0 Bid

US $2,900.00

8d 1h 48m

gibson custom j45 j 45 j 45 vine rare

US $5,000.00

19d 9h 54m

Based on the best-selling Baby Taylor guitar, the TSBT is ideal for both promising players and accomplished pickers. At three-quarters the size of a standard dreadnought, with a slim 1 11/16-inch neck and a comfortably compact shape, the guitar is just right for both the littlest player's hands and anyone who likes to pick up and play on the go. With the new model, Swift
hopes to inspire others to express themselves through music. "I wanted to share my passion for playing guitar with my fans," she says. "For a beginner, finding the right guitar can be intimidating, but this guitar, it's the
perfect size. Even if you've been playing for years, it's a great size to travel with."

The TSBT is crafted from a resilient sapele laminate body with a solid Sitka spruce top. Swift's design, which encircles the guitar's soundhole, features her well-known expression "Love, Love, Love" among delicate vines. The design also commemorates the songwriting spirit and success of her latest album, Fearless, whose title is inscribed above the bridge along with her signature.

Swift, who shares a close relationship with Taylor Guitars and regularly uses a variety of Taylor guitars when both performing and recording, fondly remembers her own Baby Taylor as a go-to guitar during her early days of touring. "I used to sit in the back seat of the rental car while I was on my radio tour at 16, writing songs on my Baby Taylor guitar," she reflects. "I love the sound, and I love those memories."

It's not just Swift who is excited about this guitar. Taylor dealers everywhere are also eagerly anticipating its arrival, like Bryan Rankins from Fazio's Frets and Friends in St. Louis, Missouri. "It's not often that I get
excited about another 'signature' guitar, but when I heard about the Taylor Swift Baby Taylor, my reaction was much different," Rankins says. "Here you have an incredibly gifted young woman who is inspiring young people through her words and music. When I first saw a picture of the guitar, I knew right away that it would help spawn a whole new breed of young musicians and give them something positive that will stay with them for the rest of their lives."

In addition to Taylor's global network of dealers, the Taylor Swift Baby Taylor is available now for pre-orders at Amazon.com. "We're thrilled to work with Taylor Guitars to make the new Taylor Swift Baby Taylor available to our customers," said Noah Herschman, director of Home Electronics and Musical Instruments for Amazon.com. "Taylor Swift is one of the hottest stars in
country and pop music, and her collaboration with Taylor Guitars has resulted in a product that we think our customers will love. Now they can pre-order it and ensure they'll get it in time for the holidays."

Introduced in 1996, the Baby Taylor was designed to be the ultimate musical travel companion and set the standard for how good a small guitar could sound.
Delivering impressive volume and tone for its compact dimensions, the Baby Taylor quickly became the favorite "road guitar" for many professional musicians, including rock legends Bono (U2) and Joe Elliott (Def Leppard), pop artist Katy Perry, and country music hit makers Clint Black and Tim McGraw.

The TSBT will be offered at a manufacturer's suggested retail price of $398 and comes ready to rock in a cushioned Taylor Guitars gig bag. The Taylor Swift Baby Taylor guitar is available for purchase at authorized Taylor Guitars dealers, Amazon.com and soon, at TaylorSwift.com.

Gorgeous domestic wild cherry back and sides provide a unique tone blending the warmth of mahogany with the crisp definition of maple. Silverleaf maple neck on a shorter 24.84" scale with a rosewood fretboard is easy on the fingers while specially aligned machine heads make for quick, stable tuning.
Seagull The Original S6 Acoustic Guitar Features:
• Solid cedar top
• Wild cherry back and sides
• Rosewood fingerboard and bridge
• Tusq nut and compensated saddle
• Semi-gloss lacquer finish
The perfect combination of precision luthiery and low price.

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Seagull Entourage Mini Jumbo Acoustic Guitar Rustic NEW

US $329.99

19h 54m

Seagull S6 Slim Acoustic Guitar S 6 In Box

US $299.00

1d 3h 7m

SEAGULL S6 {Original} Q1 ACOUSTIC ELECTRIC Handmade

US $519.00

1d 19h 27m

Seagull S6 Original Acoustic Dreadnought Guitar Cedar

6 Bids

US $52.00

2d 1h 6m

Seagull S6 Original Series Acoustic Guitar w GIG BAG

US $327.20

3d 1h 4m

1

With a lineup of classic flattop models including the F-30, F-50, F-412, and D-55 and a league of devotees that has included Nick Drake, Tim Buckley, Ralph Towner, Richie Havens, and Ryan Adams, Guild is among the most loved and respected acoustic-guitar companies. But while rightly regarded as an institution, Guild has had several homes, counting New York City; Hoboken, New Jersey; Westerly, Rhode Island; Corona, California; and Tacoma, Washington, as headquarters during its 57-year history. Late last year, Guild’s parent company, Fender Musical Instruments (who acquired the brand in 1995), announced that Guild was on the move again—this time back east to the New Hartford, Connecticut, factory that is home to Ovation production. (Fender also owns Ovation’s parent company, Kaman Music.)

Our review specimen of Guild’s stalwart D-40 dreadnought is among the first to emerge from the new facility. The quality, timeless style, and vibe that has always made Guild guitars special was evident the minute I took this guitar out of the case, and it only took a little picking and strumming to discover that the D-40’s tone and versatility are worthy of the Guild legacy.

A MAHOGANY LEGEND
The D-40 first appeared in 1963 along with the rosewood-and-spruce D-50. The two guitars were critical to Guild’s growth as it transitioned away from jazz archtops, and they were well timed to coincide with the acoustic guitar boom of the 1960s.
Except for a few noteworthy exceptions, the Connecticut-produced D-40 is faithful to the design and spirit of its 1960s forebears. It’s built around a lovely Adirondack spruce top with subtle bearclaw figuring and rich, chocolatey mahogany back and sides and finished with a flawlessly applied nitrocellulose lacquer that gives the guitar a mirror-like depth and shine. Guild’s trademark art-deco headstock—capped here with ebony—looks as sharp as a bespoke suit, sporting deco-inspired Gotoh 700 tuners, a pearl “Chesterfield” inlay (named for its similarity to the Chesterfield cigarette logo), and a pearl Guild logo that lend the guitar a distinctly American elegance. Among the changes to the original design are details such as a slightly tighter 30-foot top radius (earlier versions had a 40-foot radius), which Guild says increases the guitar’s sustain and projection, and a dual-action truss rod, rather than the older single-action type.

The three-piece neck (which has a slightly smaller heel than most older Guilds) is made from mahogany with a walnut “skunk” stripe at its center, and the rosewood bridge is cut in Guild’s signature twin-peaked shape. As on so many Guilds, there are plenty of small luxuries that make the guitar feel like some¬thing more than an ordinary factory ax: black-and-white rosette with a delicate ring of tortoise; tortoise binding and heel cap; and bone nut, bridge, and bridge pins.

FAT, WARM, AND LOUD
I’ve played a lot of D-40 dreadnoughts (as well as all-mahogany D-25’s and spruce-topped D-35’s) over the years, and I’ve always loved their playability, punch, and warmth. They’re like the guitar equivalent of a 30-year-old baseball glove—supple, responsive, and ready to go. Tuning up and laying into some first-position chords, I found that this D-40 displayed much of the power and glow that I remembered in those old Guilds. Like a new baseball glove, it felt a little stiff at first, but a fresh set of strings brought the D-40 to life—making the guitar feel a little faster under the fingers and adding a little extra shimmer to its kick and warmth.

Eager to break in the D-40, I had a go at my favorite Fred Neil vehicle for fast and heavy strumming, “Looks Like Rain.” The Guild’s warmth and clarity made me feel right at home, and I was impressed with the D-40’s responsiveness and tone under both a light and heavy touch. This is a dynamic and touch-sensitive guitar—not prone to harshness or harmonic blur when you push it, as some mahogany guitars are, nor apt to lose bass or high-end when you take your foot off the gas.

My interest piqued by the D-40’s sparkly, high-mid voice, I snapped a capo onto the third fret and improvised around the chord melody to “Shady Grove.” In this context the Guild was as responsive to delicate arpeggios as muscular, staccato picking—again demonstrating a wide dynamic range that will delight flatpickers and vocal accompanists. And I couldn’t help but think how much I’d value this guitar if I played in a band that worked in a wide range of styles. This guitar has a considerable presence that would find a place in any mix.

Fingerstyle explorations, in this case, improvisations in D A D G A D and C G C G C Eb, benefited from the D-40’s impressive range, too. The lower tunings showcased the D-40’s formidable low-end sustain, color, and overtones, and a driving, uptempo original tune in D A D G A D that relies on a droning sixth string sounded orchestral thanks to the D-40’s bottom-end muscle and high-end detail. Changing strings yet again—this time switching to light-gauge strings to facilitate faster bends—made the guitar feel even livelier for fingerstyle workouts. And though it took slightly more effort to summon the same low-end thump, the guitar remained balanced, responsive, and full of character.

NO-NONSENSE STYLE, RICH TONAL PALETTE
Over the course of the month I spent with this Connecticut-bred D-40, it became an ever more-rewarding companion. Though I enjoyed the guitar’s warm, boisterous voice most when strumming with a heavy, percussive, Neil Young–style attack (especially with the sixth string dropped a step or more), the D-40 was a great companion for delicate, late-night fingerpicking sessions, where I could appreciate its sustain and rich palette of overtones. It’s also a subtly gorgeous instrument, built with all the style and attention to detail that has made Guild a favorite of no-nonsense guitarists. If this D-40 is typical of the Connecticut factory’s work, it bodes well for Guild’s continuing legacy as a guitar maker for serious players who value utility and timeless style over flash.

At a Glance: Guild D-40 THE SPECS
Solid Adirondack spruce top. Solid mahogany back and sides. Three-piece mahogany and walnut neck. Dovetail neck joint. Rosewood fretboard and bridge. Bone nut, saddle, and bridge pins. 25.63-inch scale. 111/16-inch nut width. 21/8-inch string spacing at the saddle. High-gloss nitrocellulose lacquer finish. Gotoh 700 tuners. D’Addario EXP 17 medium-gauge phosphor-bronze strings. Made in USA.

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Guild D40 Bluegrass Jubilee USA MADE setup CLEARANCE

US $1,299.99

1h 12m

Guild D 40 Bluegrass Jubilee in Antique Sunburst

US $2,395.00

19h 52m

Guild D 40 C Acoustic Dreadnought PERFECT Condition

US $1,200.00

1d 41m

Guild D40 Bluegrass Jubilee USA MADE setup CLEARANCE

US $1,299.99

1d 1h 22m

GUILD D40 BLUEGRASS JUBILEE D 40 D TAR ACOUSTIC W CASE

US $2,399.00

1d 18h 32m

The Jesus Papyrus

US $3.25

4d 17h 20m

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